PEN American Center expressed shock and outrage at the premeditated murder of Russian opposition leader and former Deputy Prime Minister Boris Nemtsov on the eve of a march Nemtsov was organizing to protest the war in Ukraine. Nemtsov, a politician and former government official, is the author of several books and numerous articles and reports about contemporary Russian politics, including his 1997 memoir, A Political Man, a frank and freewheeling account of his time as governor of Nizhny Novgorod.

 The killing of Nemtsov sends a blood-chilling message to the Russian people about the costs and dangers of political dissent, compounding a climate of fear and repression created by the murder of numerous journalists and a series of draconian laws that target free expression and civic organization. “Nemtsov’s late-night assassination in the heart of Moscow is a shot heard round the world, reminding us of the mortal dangers facing those who exercise the right to speak and protest in today’s Russia. When a prominent political dissenter is killed in cold blood, the clear aim is to strike fear in the minds of all those who would dare express opposing views,” said Suzanne Nossel, executive director of PEN American Center.

 Because of Nemtsov’s status as an outspoken critic of the Putin government, PEN American Center calls for an independent international inquiry into his murder. Advocacy
The 10,000 Year Brush is a weekly web comic drawn and written by Austin Smith of Dragon Company. Every Friday we’ll feature a new comic, but you can visit DragonCompany.org for the latest release.
The New-to-you Bag


Tagged with → 10000 year brush • fountian pen • mannenhitu •
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When Lauren Cerand and I founded The PEN Ten, we set out to create a short interview series that was breezy and conversational, but also gave contributors the opportunity to dig into more substantial issues of craft and creative freedom if the urge arose. The questions fluctuate between softballs and deceptively difficult curveballs, leaving some writers temporarily stumped. We decided to keep the questions relatively unchanged to see how the answers would vary from contributor to contributor, over time, and through social, political, and financial ups and downs, knowing that no two responses would ever be the same.
While the questions haven’t changed in two years, the curator has. In January we bid farewell to Lauren and welcomed a new crew, who, in the coming months, will introduce us to the writers, editors, and translators they admire and who inspire them the most. We’ll start the new series on March 3 with writers including Dante Micheaux, Sherman Alexie, Laura Lippman Elif Batumanand Megan Abbott.

Randa Jararr novelist and short story writer, will interview writers who focus on counter-hegemony, censorship, race, gender, and the artist's role in all the above.
Nicole Sealey poet and programs director at Cave Canem, will bring The PEN Ten to a distinguished and diverse group of Cave Canem fellows and friends.
Alex Segura novelist and comic book writer, intends to drag a number of crime and genre-bending fiction authors into the series. 
Natalie Diaz poet and language activist, will interview writers who grapple withhow language works for us, affects us, changes us, from a different vantage point: from the inside outward versus from outside looking in.
Pelikan 100 timeline


Pelikan 100 timeline
Dominic Rothemel has created a wonderful website for anyone who’s ever had even the slightest interest in Pelikan pens.
As stated on Dominic’s site:
The aim of this website is to list all Pelikan piston filler pens and later the cartridge fountain pens, too. I´ll provide photos of evidence for all pens. In addition, I aim to store as much information as possible for the respective models. I appreciate any assistance that is every image, every piece of information and also any feedback.
The site is very well laid out and easy to navigate. It’s packed full of great information on every Pelikan model I’ve every heard of (and some I haven’t). One very neat feature is the timeline of the Pelikan 100 (shown in the image above). It displays a wealth of information at a glance.
The site shows all the variations of each model, even special and limited editions. There’s also an entire page devoted to just nibs.
Be sure to visit the site and plan on spending at least an hour or so browsing.

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This news wave as Japan prepares couple commemorate the fourth anniversary of a disaster that claimed more than 19,000 lives and made tens of milhas De homeless, since I Caused Economic incalculable damage.

 

It also caused the worst nuclear accident the world in a generation, forcing tens of kilometers um des people from their homes, many of whom remain displaced, often in poor insulation um temporary housing.

Pen and Swiss watch manufacturer has Used Wood Single tree That remained standing when aa forest of 70,000 was in Rikuzentakata flattened on the northeast coast of Japan affected.

 

The so-called "pine miracle" was later Pará Be Found dying and subjected um ¥ 150 million ($ 1.5) million reinforcement Pará prop, paragraph become a must-see for visitors to the area.

 

When the city was cut tree, Mayor Futoshi Toba Pidio the Japanese unit of the Swiss company madeira use pens Pará recovered to ensure "remains in the minds of people mess," said a city official.

 

Montblanc pens made 113 - the figure reflects the date March 11 disaster - that will be released in the fourth anniversary of 520,000 yen (4,400 dollars) each, the official said, with 20 percent of the Collection That is given to the city.

 

"The pine was the only nsa That gave hope in despair disaster" Toba, in a press conference on Wednesday.

 

"With the help of Montblanc, I hope That the world will think in the disaster."

 

A spokesman for Montblanc in Japan said the donation rate of 20 percent is based on precedents pens Previous charity. He said the high cost of Each pen - about $ 4,000 before tax - reflects the scarcity of raw materials, it is. "It is not doing great pair fountain pens"

 

The spokesman Nego um reveal much are the feathers to make, or how much profit the company would earn on each sale.


Noodler’s has recently released a new fountain pen ink named Park Red 박상학 after North Korean freedom fighter Park Sang Hak. There’s a good story behind the label and I encourage you to watch the video above. If you’re short on time, skip to about the 7 minute mark to get to the meat of the message.
Noodler’s Park Red looks to be a bright, highly saturated red that I may have to compare against some of my favorites. As is standard procedure for Noodler’s Ink, Park Red comes in a 3oz bottle filled to the brim for the low price of $12.50.
Visit your favorite Noodler’s retailer to pick up a bottle or two.

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I came home from the 2015 LA Pen Show with a lot more than I expected. For some reason I’m surprised, but I really shouldn’t be. I’ve always come home from a pen show with more than I expected. This year was an especially good year.
My goal was to come home with a Nakaya Decapod Twist. I spent a good deal of Thursday at John Mottishaw’s table trying nibs, looking at finishes, and deciding if the Decapod Twist was really the pen for me. I really liked the way it fit in my hand and decided I wanted it in Aka-Tamenuri (Reddish-Red) without a clip. Unfortunately, they didn’t have that one. Not even back at the shop. So now I had to decide if there was an acceptable alternative.
The Neo-Standard really stood out because of how great it felt in my hand. It looked kind of boring to me in all the images I’ve seen of it but once I actually got to hold, it made a big impression. Then, of course, there’s the Dorsal Fin Version 1 in Aka-tamenuri. I was pretty sure I was going to go with the Dorsal Fin but wanted to sleep on it, which is usually a terrible thing to do at a pen show as pens have a tendency to disappear before you come back to them.
I’m glad I waited, though, because that evening Bryant from Chatterley Luxuries sent me an image of one of the trays of Dantrio pens he was bringing and I knew I just had to wait until he arrived Saturday before making a purchase. And as you can see, I decided to go with the Danitrio Mikado with a blue Nashiji-Nuri finish. You can read all the details about the pen at Chatterley’s site.
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The next purchase was made fairly late on Sunday as I perusing tables and inspecting whatever caught my eye. I’ve loved the look of Wahl-Eversharps tulip clip and came across one in very good condition with a flexible nib and a beautiful wood grain pattern. I checked the tag and knew that at $50, it was coming home with me. Joel Hamilton happened to be strolling by so I showed him the pen and asked what he thought. His exact words were, “If you don’t buy it, I will!”
I offered the guy $40 and he took it. That’s the best deal I’ve had at a show in a while!
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My last purchase was the Omas Ogiva ALBA. The gentleman I was rooming with at the show text me and said a dealer was selling it at wholesale. It was a no-brainer. You’ll probably see this in the FPGeeks Shop since I already have a few other Ogivas.
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I did buy a bottle of the new Montblanc Pink first thing Thursday. I said hello to the Andersons and Lisa mentioned she had two bottles so I didn’t hesitate to buy one. The other two bottles, along with the samples, came from my friend Richard. We were talking about inks and I mentioned how I wanted a bottle of the Einstein Grey but couldn’t find one. He offered me a bottle from his stash and even threw in a bottle of Winter Glow, my favorite red ink.
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The small black pen in the lower left was a gift from my roommate. It’s unmarked except for the “Imperial Point” on the nib. It’s a cute little pen. Next to that pen is the brown leather Omas business card holder that was a gift from Chatterley Luxuries. It came in incredibly useful as I carry a few cards to hand out at the show.
All in all, I’m very happy with my pen show haul this year. I sold a few pens before the show which allowed me to make an entrance into urushi pens and I couldn’t be happier.
My full pen show report will be coming in the next day or two. Until then, visit Ricky Chau’s pen show recap in the FPGeeks Forum.
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Back in September 2014 I had a nice long chat with Shawn Newton, the Pen Mastermind behind Newton Pens. I got busy, moved to a new city, and never wrote up our interview (sorry Shawn.) In light of his recent announcement, I thought I’d dust off my notes and make sure all you Geeks know what’s going on in Arkansas.
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A Newton Pens Tiffany Casein Fountain Pen (currently in author’s collection!)
I first ran into Shawn and his super-cool pens at the Washington DC Fountain Pen Supershow in August 2014. I was floored by the creative use of materials like Hard Rubber, wood, acrylic and Micarta. On top of that he used a bunch of fun filling systems including button fillers, bulb fillers and pistons.
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Shawn- The Man In the Hat.
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A Triangulitious Acrylic C/C Pen

Micarta. Awesome. This one is a Button Filler.
So what is Shawn about? Shawn is an art teacher and a Fountain Penvangelist. He actually started making pens because he was tired of giving crappy pens to his students. So much of what he does is focused on his students. If you follow what he posts on Facebook (and you should) it’s about 2/3 lurid pen porn and 1/3 student artwork.
A large part of his penmaking efforts go toward providing scholarships for his students (look here for info.)
So this week’s announcement is a pretty big deal. Shawn announced that he’s resigning from his teaching gig to make pens full-time. It’s an exciting and gutsy step and we wish him the very best.
If you haven’t yet, for gosh sakes check out newtonpens.com and check out what Shawn has in stock. I hope he can keep up!

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I first heard rumors of a slip-cap Franklin-Christoph project at the Ohio Pen Show in November 2014. I was excited- I love me some F-C and I prefer slip cap pens. So I knew this one would be right up my alley.
So what showed up on the Franklin-Christoph table at the Philadelphia Pen Show? Daaaang. I saw it and nearly knocked some old lady over lunging to grasp the Twenty. There it was: sleek, elegant and dead simple.
In the Wild
In the Wild, with Questionable Focus.
I opted for the clipless version with a fine Masuyama Cursive Italic nib in steel. Always opt for the Masuyama when you buy a Franklin-Christoph pen, it is THE best deal in Penland. The fine Masuyama CI was actually an off-catalog item- I thought it was a regular offering, which was why I asked for it. Turns out they just happened to have a few on hand in Philly. Boom!
The Twenty is as understated a pen as you’ll ever find. If it weren’t for the twin carved rings on the butt and cap end, the Twenty would be practically featureless.

Very Nearly Nothing.
There’s laser-etched branding where a cap band would go. It says, “Franklin-Christoph 20.” Surprised? The section has a nice contour that is pleasing to the eyes and the fingertips. One interesting feature: the nib is the standard #6 that F-C uses on most of their pens, but is set deeply into the section. Scott Franklin told me they did it in order to keep the cap shorter and also for the aesthetic effect.
The uncapped Twenty reminds me of a vintage safety filler, only shinier.
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I appreciate the classic look very much . It’s also a little bit sad to see a half hidden nib. I’d love to see a Magnum sized 20 with the nib all the way out (can I get an Amen?)
So how’s the slip cap work? I gotta say I’m impressed. The Twenty closes securely and posts perfectly. It closes tightly enough that you can unscrew the section from the barrel twisting the cap if you want (whoops!)
Interesting to note- in Philly, while purchasing the pen, I had the wrong cap for a minute. It wouldn’t stay on the pen. Jim Rouse knew what was up and found the right cap right away. Another fascinating fact- when I hand the capped Twenty to somebody else, they often can’t get the cap off. It might because I put it on with a left-handed twist that foils all you righties. Who knows?
Also New: I love this. Instead of a standard coffin, I had the option to get a small zippered leather pen pouch. Yes please, I’ll have that! The pouch is well-wrought, soft, and will hold about three pens OR two good sized buffalo wings OR maybe eight bucks (USD) worth of nickels.
L to R: Lamy 2000, F-C 20, F-C 02, TWSBI Micarta.
L to R: Lamy 2000, F-C 20, F-C 02, TWSBI Micarta.
At pen shows, Jim Rouse spends time with each pen they sell, getting each nib set up, adjusted and writing to spec. It’s a nice touch, and ensures that you go home with a great writer. Jim’s tuning on a Mike Masuyama-ground nib in the Franklin-Christoph of your choice is such a no-brainer. If you’re playing in the ~$200 ballpark put one on your list. If you prefer a precious nib,  18K Gold nibs in sizes from XF-B are available for an additional $90. You can pay more and get the Masuyama grinds in gold also. Maybe just go visit franklin-christoph.com/ for all your nib options.
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The 20 and the 02 use the same #6 sized nib unit. It’s set into the section on the 20 to keep the cap size under control.
The official release of the Twenty will be around the first of March, 2015. Look for a good stock of these at the Franklin-Christoph tables at the LA Pen Show in the meantime.
Thanks for reading. I love you!
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10000 year brush hours of fun
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The 10,000 Year Brush is a weekly web comic drawn and written by Austin Smith of Dragon Company. Every Friday we’ll feature a new comic, but you can visit DragonCompany.org for the latest release.

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chatterley watch and pen ad
Attending the LA Pen Show this year was a big deal for me. The last time I went was in 2012 so I was curious how much, if at all, the show would change in 3 years. I also went to DC last year and was looking forward to comparing my experience at the two largest pen shows in the world.
I’ve gotta give a huge shoutout to Chatterley Luxuries for sponsoring our coverage of the show this year. Without their support I wouldn’t have been able to attend. Chatterley Luxuries consistently has the best prices and their customer service is top notch. Bryant is a pleasure to interact with and their main concern is ensuring your happiness. They’re always my first stop when looking to purchase a pen.
I arrived in LA Thursday morning around 10am and spent several hours around Rodeo Drive before making a quick trip to the beach. I’m a bit of an automotive enthusiast so the area around Rodeo Drive is pretty much heaven. I saw a bright yellow Rolls commissioned by bijan, which is some über high end, by appointment only luxury store. You can see their Rolls Royce next to their Bugatti in front of their store here.

A white Mayback sitting in front of a yellow McClaren P1.
Ferrari LaFerrari
Ferrari LaFerrari

Bugatti Veryon
Yellow Rolls-Royce for bijan.
Yellow Rolls-Royce for bijan.
I also got to see a Bugatti Veryon, a Ferrari LaFerrari, a McClaren P1, and a Maybach all chillin’ on the same street. My trip had just been made without seeing a single pen.
I ended up arriving at the hotel around 3pm and surprised to see a lively bit of action in the main ballroom. I quickly did a stroll through the room and found myself at John Mottishaw’s table perusing their selection of Nakaya’s and trying out all their samplers to get feel for which nib suited me the best.

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Being able to see the pens in person and trying out a variety of nibs is such a valuable experience, especially when picking an urushi pen as the colors aren’t always the same as what’s shown on the vendor’s website. Ideally, I wanted a Decapod Twist in Aka-tamenuri but they didn’t have that particular combination. They had one in Ao-tamenuri but I found the blue-green urushi to not be as bright and vibrant as I would have liked. I then could have gone with the Decapod in Aka-tamenuri, but, again, that’s not exactly what I was looking for.
At this point, I decided to wonder around and think about my options. I didn’t have to travel 10 feet before I ran into the Anderson Pen’s table, or tables rather.

Lisa probably thinks I didn't catch this one, but I always have my finger on the shutter release!


Lisa probably thinks I didn’t catch this one, but I always have my finger on the shutter release!
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The best part of a pen show is catching up with old friends and making new ones. After attending 5 or 6 shows, pens really have become a secondary concern for me. After the hugs and handshakes we began talking pens and inks which lead to the Montblanc JFK and their new Pink ink. Thankfully, Lisa had a couple of bottles stashed away and I nabbed one without hesitating.
After leaving the Anderson’s table and wondering around s’more I ran into a gentleman from Toronto that I had actually met several years ago at the Ohio Show. He was (still is?) a professional photographer who only shoots medium format film. Needless to say, it was time for a little show and tell of pens and cameras (mostly cameras). I felt completely inadequate bringing my micro four thirds digital camera anywhere near his Rolleiflex TLRs. He taught me a lot about those cameras and film in general, and then we got hungry so we went to El Sombrero near the Manhattan Beach Pier.
I managed to get into the ballroom around 9am Friday morning and just stood near the front doors to allow the ‘pen show presence’ to wash over me. I was ready.
I caught up with Mario Campa of Toys From The Attic and saw some very cool pieces on his table. I watched as he sold my new friend, Franz, a lovely Aurora Optima. After seeing Mario work his magic I hightailed it out there afraid he sell me something next!
After just a few minutes of staring at this set, I began to feel like Mr. Bond.


After just a few minutes of staring at this set, I began to feel like Mr. Bond.
Mario convincing Franz that he needs this Aurora. Once you test it, you're done for.


Mario convincing Franz that he needs this Aurora. Once you test it, you’re done for.
I then made my way to John Colton’s table. If you’re looking for Omas, this is the man to see. He had so many wonderful pieces and was happy to chat away about them. That’s another benefit of attending a show during the trader only days: vendors are relaxed and will happily answer whatever questions you have.

No show would be complete without saying hello to Rick Propras. Not only is he the go-to guys for Pelikans, but he’s also very much into knives. If you share a similar interest, consider joining the Pens and Knives facebook group that Rick started. We spoke for a few minutes about vintage Pelikans, then someone else stepped in to ask a question. Rick is a popular guy and rarely did I not see him interacting with someone at his table.
Rick Propas.


Rick Propas.
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As I made my way out of the ballroom to find nourishment, other than from pens, I ran into Mr. Andy Lambrou. I could talk to this man for hours about pens (and have done so at the Colorado Pen Show). He’s a walking encyclopedia of pen information. He wrote quite literally wrote the book on pens with Fountain Pens of the World and then did so again with Fountain Pens of Japan.
Andy Lambrou


Andy Lambrou
Once in the restaurant area I saw Osman Sümer taking advantage of some poor soul and couldn’t resist witnessing the action. Osman deals almost exclusively in vintage German pens, mostly consisting of Montblanc. He had a #12 safety filler, the largest pen Montblanc has ever made. You can see it, and a couple of baby pens (one a working lever filler, the other a safety) next to a 149 for reference. Those two baby pens and the #12 safety walked off with a very satisfied buyer shortly afterwards for somewhere around $10,000. This kind of exchange happens rather frequently.


Refueled and ready to go, I spotted Detlef Bittner and stared in awe at the number of show-stopping pieces on his table. He had quite a number of high-end limited editions and outstanding maki-e pens.


My last stop of the day was at the Franklin-Christoph table to see the new Model 20 that Tim Hofmann recently reviewed. If you haven’t read that review, I highly recommend you do so. The Model 20 features a slip cap design but instead of putting all the pressure on the lip of the cap, it’s distributed across two points of contact further inside the cap. This reduces the possibilities of cap lip cracks and removes any wiggles or wobbles. Scott then showed me the new black nib on his personal Model 20 that will be available very soon. Franklin-Christoph was also showing off their new Pocket 66 Ice, which is nicely compact when capped but turns into a comfortable writer when posted. All these new items should be hitting their website very soon.

The beginning of the evening festivities started with dinner with the San Francisco Pen Posse at Tin Roof Bistro. There was something like 21 or 22 of us. Joi did a wonderful job arranging the dinner. The food was amazing and the company was even better.
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ViscontiPininfarinaNano ad

Visconti once again teams up with Pininfarina, one of the world’s most renowned designers, famous above all for designing cars such as Ferrari and Maserati, to develop and launch the new Pininfarina Nanotech. Together they have once again pushed the boundaries of writing technology.
Made from one of the most unique and innovative materials ever used to make a writing instrument! A new material subjected to diffusion-based carbon Nanotube technology! Making it strong, lightweight and almost impossible to remove. The material is so strong that is used by leading formula one teams including Ferrari, Red Bull and Mercedes.
The new chromium 18 SOFT TOUCH tubular nib, offers improved flexibility and memory
The newly improved magnetic closure system, helps make the pen easier to clean and easier to refill
Designed by Pininfarina, engineered and crafted by Visconti, the Pininfarina Nanotech is equipped with innovative technical solutions that emphasize its unique style:
· The rotating nib extraction mechanism
· The airtight housing system that opens and closes automatically
· The pens case, which echoes the pen’s retractable mechanism, not only holds the pen but also has all the makings of a fully-fledged work of modern sculpture.

Nanotech Technology

All designers dream of being able to work with a light metal whose specific weight is one-third that of steel while having better resistance to corrosion than even the best stainless steel and greater resistance to abrasive wear than even hardened steel. If a material with those specifications really did exist, all mechanical engineering projects would undergo radical improvement. This would drastically reduce the material’s weight (65% less than steel) without forgoing excellence in its mechanical properties. Well this extraordinary material has recently been invented. It consists of aeronautical avional treated with carbon nanotubes and silver ions, and Visconti has perfected the formula in nanotechnology, expertly tailoring it to the requirements of writing. Nanotechnology is a branch of applied science and technology concerned with controlling material on a dimensional scale of less than one micrometre (one-millionth of a metre).
The Pininfarina Nanotech material has some incredible properties:
· Six times tougher than aluminum and twice as tough as steel.
· It’s resistance to corrosion is twenty times more resistant than any other metal.
· Because it’s a heat conductor, it’s able to absorb heat and re-emit it with ultra-infrared waves, allowing an exquisite level of writing comfort.
· It has an outstanding antibacterial capability, giving it an exceptional hygiene safety level.
· Due to the pen’s attrition-rate coefficient and fully- coated, self-lubricating mechanism, the writing experience will remain comfortable for years.
These titanium-trimmed nanotech pens will be released in a limited run of 930 rollerballs and 930 fountain pens (available in EF, F, M, B, BB, and S).
Visconti Pininfarina Nano closed

Visconti Pininfarina Nano fountain pen

Visconti Pininfarina Nano rollerball

The Visconti Pininfarina Nanotech fountain pen will retail for $2,500 and the rollerball for $2,150.

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chatterley watch and pen ad


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Saturday was a big day for me because with the arrival of Chatterley Luxuries I could now determine whether I was going to be leaving with a Nakaya or a Danitrio. In addition to all the cool stuff I saw on Friday, I repeatedly went back to view all the Nakayas at Classic Pens’ table and narrowed down my selection to either a Neo-Standard or a Dorsal Fin. But, once I saw all the Danis at Chatterley Luxuries’ table my first thought was that this decision was going to get much more complicated.

As soon as I laid eyes on it was actually a very easy decision. Please allow me to introduce you to the Danitrio Mikado in Nashiji-nuri:
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So now that I had fulfilled my main goal I was pretty much riding on an urushi high for the rest of the show. The best part, here it is a week after the show and every time I use it I’m getting a small contact buzz.
After an hour of ogling the rest of Bryant’s pens, I wondered into the ballroom where a lively Andy Lambrou caught me and introduced me to the one and only Paul Rossi. Paul does a lot of custom work and his craftsmanship is impeccable. I would highly encourage you to Google “Paul Rossi fountain pen” and take a gander at the results. Paul was gracious enough to open up his pen case and show me some of the items he’s created. Pictures just don’t do it justice.

I continued to peruse the show floor and found the mecca of fountain pen repair:
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Everything you could possibly dream of related to fountain pen repair could be found at Dale’s table. As expensive as some of these tools can get, it’s worth having the right one for the job.
It’s always a pleasure seeing Michael Sull. He’s the author of American Cursive Handwriting, a book I highly recommend if you’re looking to improve your writing. He also sells some unique oblique nib holders and will pen your name in Spencerian for free. He’s one of the nicest people to talk to, so if you have the chance, definitely stop by his table and say hello.
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Pen shows are such a great place to find flexible nibs. John Corwin specializes in flex and you can easily find him because he’ll be the one with the big “FLEXXIES” balloon tied to his table. John neatly organizes and labels all the pens making it much easier you to find what you want. The best part, when you find something you’re interested in he almost always allows you to try it out first. When looking for flex, this kind of opportunity is priceless!
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Just a few feet away from John’s table I found Luis who always brings lots of goodies, both pens and food! I was just in time to watch him break out some bread, cheese, and wine and then it was like a feeding frenzy! It was seriously like watching piranhas on the Nature Channel. Pen collectors were swooping in, ripping off chunks of break and slicing off pieces of cheese while guzzling as much wine as they could. But look at the smiles on those faces! Pen people know how to have a good time.
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If I wasn’t dizzy after leaving Luis’ table then my head was sure to spin at Sarj’s. There’s a reason we call him the ‘one man pen show.’ Sarj has one of nearly every pen you can imagine and they’re all in pristine condition. From vintage to modern, American to Italian, and some urushi for good measure, if you can think of it, Sarj probably has it.

Danitrio pens and vintage Montblanc 149 and 139 with silver cap bands. Lovely!

I’m not sure if it’s from the pens or the wine but the buzz is kicking in and I’m feeling good! Strolling past Roger Cromwell’s table I see a few Pelikan Toledos and can’t resist grabbing a quick shot.
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Continuing to enjoy the sites and sounds of the LA Pen Show I found myself at the new Wahl-Eversharp display chatting with Syd about vintage Wahls. I had a simple question about the name of my pen and quickly learned it was not going to be a simple answer. Syd was able to provide more details than I ever imagined about the model and why it was named the way it was. If you’re looking for complete esoteric knowledge of a brand and model, a pen show is the place to find it.

I ended up leaving the show mid-afternoon on Saturday to enjoy the wonderful LA weather with some friends and visit some photography stores. It was only about a 30 minute drive to the Leica store in West Hollywood, which made it a must see.
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The staff was very friendly and let us handle a few cameras we were interested in. I tried bartering for some pens but couldn’t seal the deal. Maybe next time. The store has two levels with the upstairs being a gallery. After a thorough walkthrough we ended the afternoon by enjoying some coffee and watching all the lovely cars drive by.

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I was able to get a first hand look at these new pens from RiKwill while at the LA Pen Show and I came away very impressed. Many of Rik’s designs appeal to me and this take on the Conklin Crescent Filler is certainly eye catching. Even though I didn’t get a chance to write with it, it did feel good in the hand and there was quite a lot of heft to it thanks to its solid silver construction.

Have a look at the press release below and be sure to share your thoughts in the comments.

rikwill solid sterling silver conklin crescent filling fountain pen

This duet is an exclusive design custom-built for RiKwill located in California, USA.

Advanced for its time and featuring a reliable method for a filling mechanism, the Conklin Crescent Filler attracted attention from many prominent figures of the day, and in 1903 the renowned American author and humorist, Mark Twain became the official spokesman fort he Conklin Pen Company.

In celebration of Conklin’s innovative design and Mark Twain’s passion for the Crescent Filling fountain pen, the designers and metal masters at Conklin and RiKwill are proud to announce a new limited edition series honoring Roy Conklin’s famous creation of the Crescent Filler.

Lovingly crafted from rods of solid sterling silver, this Limited Edition has been designed to replicate the original Conklin Crescent Filler with highly detailed engravings on the cap and body.

Based on the original Victorian elegance of the Conklin Crescent Filler, this new limited edition is offered in a choice of two most popular vintage engraving designs created in the early 1920s – The Stars & Stripes and The Checkers.

Each fountain pen is produced to the highest standards of craftsmanship and rests perfectly in the hand, a perfect harmony of balance and elegance for ease of writing.

The solid gold 14K flexible Medium grade nib is an ideal choice for your individual handwriting style.

This limited edition makes a perfect stylish accessory and is housed in a luxury gift presentation box. Ideal as a perfect gift for yourself or a loved one, this model is the right size for both men and women who use fine writing instruments in their daily professional lives.

The solid sterling silver limited edition RiKwill Conklin Crescent Filler will sell at a retail price of $1,495. Please visit RiKwill.com for more information.

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    Material: Ebonite Nib: Steel. 1.1mm Stub Appointments: Gold-colored Filling System: Standard International Cartridge/Converter/Eyedropper Length (Capped): 148mm Length (Uncapped): 137mm Length (Posted): 173mm Section Diameter: 11.7mm Barrel Max Diameter: 14mm Cap Max Diameter: 15.7mm Weight, Capped (with ink and/or converter): 26g Weight, Uncapped (with ink and/or converter): 16g
Up to this point in my use of fountain pens, I have had the opportunity to use a few different brands of Indian-made pens. I have found nearly all of them to fall somewhere on the spectrum between lacking and unusable. In general, the quality of the workmanship is poor, the materials are cheap, and the nibs atrocious.  When compared to inexpensive pens from China, I think most of the Indian fountain pen industry still has a way to grow before they can meet even the same quality levels and pens from Hero, Jinhao, Duke, etc.
(Now, to be clear, I have not tried all Indian pen brands, and I’m sure there are brands out there that make quality writing instruments. My experience up to this point, however, has not been favorable.)
I do, however, have a dip pen from an Indian company called Ranga that I purchased very early in my pen-purchasing days. It uses a standard #5-sized fountain pen nib, and comes with an ebonite feed. As is common with Indian pens, the nib was very poor, but I replaced the nib with an Edison #5-sized steel nib, and I still use that dip pen today for ink sampling. It’s well-made and works wonderfully.
So, when I saw that Ranga was now making pens that utilized German-made Jowo nib units (in the standard #6 size), I decided to give their fountain pens a go. Jowo manufactures nibs for Edison Pens, TWSBI, Franklin-Christoph, and Goulet Pens…all pens and nibs whose performances I quite like. So, knowing that I would be able to avoid a poor experience with an Indian-made nib, I decided to take a chance and order the Ranga #3 Oversize in Red Ripple Ebonite from Peyton Street Pens.  (You can also order the pen directly from Ranga on eBay, if you are so inclined.)
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The Model 3 is inspired by the Parker Duofold, with a flat top and bottom. It comes in a wide variety of colors, in both Ripple and Mottled patterns, and in both polished and matte finishes. It’s a massive pen, comparable in size to the Visconti Homo Spapiens Bronze Age Maxi or the Edison Collier. The pen can come with either a gold-colored or a silver-colored clip.  And, I believe the nibs come in both steel and two-toned steel options. There are a lot of potential variations to customize the pen for the user.
I really enjoy the experience of handling pens manufactured from ebonite. You often hear pen collectors talk about the “warmth” of the material, and it’s true; there’s just something about the feel of an ebonite pen that lacks the cool hardness of an acrylic pen. Plus, ebonite is very much a throwback to the heyday of the fountain pen, when many manufacturers used Ebonite as the main manufacturing material. My only other experienced with ebonite fountain pens have been with a couple of Vintage Waterman pens. So, I was excited to get ahold of a modern Ebonite fountain pen.
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Of all of the Indian-made pens I have tried, I have found the pens from Ranga to be the most well-built–although this Model #3 does still lack some of the attention to detail you might expect in a pen of this price range. The pen is nicely turned and polished, but the material does have a little bit of pitting that shows through. I suspect this is a manufacturing flaw in the ebonite more than it is a flaw in the manufacturing. The threads are well-cut, but they hadn’t been cleaned when, and felt just a little “gummy.” (This was resolved with a light scrubbing and the application of a bit of silicone grease.) These are minor complaints that you’d only notice if you’re getting nit-picky.
The biggest issue for me was the top of the cap. The section above the clip was turned/cut separately from the bulk of the cap. Unfortunately, when assembled, it doesn’t line up perfectly, and there is a visible ridge between the two parts where the clip attaches. It is missing, say, the clean attention to detail you might notice from an Edison pen. (It’s also half the cost of any of the Edison production line pens–which don’t come in ebonite.) Nothing in the build quality of the Ranga is terrible, or even moderately bad. It’s just not quite as well-built as I would hope for an $80 pen.
The pen uses standard international cartridges and converters (both short and long), and can also be converted into an eyedropper. Due to the size of this pen, if you do decide to convert it to an eyedropper, you’d have enough ink to last you for a very, very long writing session. I haven’t measured it, but my estimate is that you could easily fit 4-6 ml of ink in the barrel of this pen.
I ordered this Model #3 with a 1.1mm Steel Stub nib. I’m not a huge fan of un-tipped stub nibs, so I’m not entirely sure why that was the nib unit I picked, other than perhaps I wanted to give stub nibs another chance. The tines were only slightly out of alignment, but it worked just fine after resolving that issue. Ink flow was moderate, as is common in Jowo nibs. I ran into no issues with hard starts, skipping, or ink starvation. I did eventually swap out the stock nib for a Goulet Medium nib, which brought the pen more in alignment with my personal preferences. If I had to do it over again, I would probably have just bought the pen with either the Medium or Broad nib
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Writing with the pen was an enjoyable experience. I did not use it posted (as doing so would have turned it from a pen into a baseball bat). The pen is quite light, and I found that writing with it for long swaths of time didn’t cause any fatigue. The ergonomics of the section are just a little bit off for my hand, though. I really like hourglass-shaped sections. This section is more conical, and tapers down to the very end of the section, where it flares out again rapidly. It’s not uncomfortable by any stretch of the imagination, but if I could make one recommendation, it would be to even out the transitions of the section just a little bit to make for a more gradual transition in the grip.
Final Verdict: I like this pen a lot. I like it enough that I bought one for my Father for Christmas. (He always wanted to have an ebonite pen, and this was a great, affordable option.) I’m thrilled that Ranga is starting to build in such a way that Jowo nib units can be used in their pens. I just don’t feel like most Indian-made nibs are up-to-snuff. There are a couple of small details that keep me from fully loving this pen, but this one falls into my “strong like” category. And it’s one that I would happily recommend. I’ve enjoyed it enough, I’ve also got my eye on a few additional pens from Ranga…’cuz I love me some ebonite.